Dany Jacob

Book chapters

“L’écriture affective proustienne comme ancrage”, in Ces lieux qui nous affectent, edited by Denis Martouzet and Georges-Henry Laffont. Editions Hermann, 2021.

“Cherchez la femme: Fetishization of the Woman in Lovesick”, Cinema Invites Other Gazes, edited by Luciana Silveira and Dago Schelin, Prismas, 2016.

 

Journal Articles

“Meme-ing Jay Gatsby or Dandyism à l’Américaine: Cultural Declination of The Great Gatsby”, Cinephile, 15.1, 2021.

“Le Dom Juan de Molière, qui a lancé la première pierre ?” [Molière’s Dom Juan, Who Cast The First Stone?], Acta Iassyensia Comparationis, 15 (1/2015): Héros et Antihéros/Heroes and Antiheroes, 2015. (Open Access, http://www.literaturacomparata.ro/Site_Acta/Old/acta15/02.AIC_15_Jacob.pdf)

“Pélagie-la-Charrette or The Claim of the Earth”, The Context Journal of Language, Literature, Cultural Studies Volume 1, Issue 3, Magnus Publishing, India, 2014.


Under Review
Fragile Masculinities in The Nightmanager: How ‘The Worst Man in the World’ Brings out the Best”, in War, Espionage and Masculinities in the British Novel, edited by Susan Austin, Vernon Press, 2021.

“Close Queer Encounters: Cracking Bond’s heteronormative masculinity in the Daniel Craig Era”, in Resisting James Bond: Power, Privilege, and Social (In)Justice in the Daniel Craig Era, edited by Lisa Funnell and Christoph Lindner.

“L’Être dandy aurevillien, l’art décadent de prendre au dépourvu son spectateur”, in La revue des lettres modernes, edited by Pascale Auraix-Jonchière, Gallimard, 2021/2022.

 

“Smell you Later!: The post-Modern Dandy in Das Parfum,” 2022 Hawaii University International Conferences on Arts, Humanities, Social Sciences and Education, Honolulu, HI, January 5-7, 2022.

“Masc 4 Masc: Cognitive Dissonance between Identity and Pride on Grindr,” 93th South Atlantic Modern Languages (SAMLA), Atlanta, Georgia, November 4-6, 2021.

“The screen as fetishized eye: digital flâneries in the 21st century as spatial suspension of disbelief,” 93th South Atlantic Modern Languages (SAMLA), Atlanta, Georgia, November 4-6, 2021.

“The Sins of the Father: Generational Abuse and Masculine Ideals Distortion in Taxidermia (2006),” in “Representations of Violence in Literature, Culture and Arts”, Osmaniye Korkut Ata University, Turkey, October 20-22, 2021.

“Strike A Pose: Becoming (In) Public Places as Identity Appropriation,” 2021 Meeting of the Society for Comparative Literature and the Arts (SCLA), Austin, Texas, October 14-16, 2021.

“Se (re)faire une beauté : crise des identités sexuelles masculines dans la diaspora du désir des corps queers,” in “Subversions des désirs et des plaisirs : sexualités consenties ?”, 88^e Congrès ACFAS, Sherbrooke, Québec, 7-8 May, 2021.

“Entre trouble et création: héritage dandy du genre comme philosophie anti-doxale,” 19th Annual Conference, of the Society of Dix-Neuviémistes, University of St Andrews, United Kingdom, March 22-24, 2021.

“The Dandy Effect: Rearticulating Dandyism in the scope of gender performance,” 42nd Annual Virtual Conference, Nineteenth-Century Studies Association, March 11-13, 2021.

“Under the Lights of Stardom: Todrick Hall’s Performative Paradox in Representing Multi-minority groups in the USA,” in “Gender, Sexual and Racial Dynamics in the Americas”, Institute of the Americas Conference, North-East Group, Gustave Eiffel University, Paris, France, January 13-15, 2021.

“Male Identities in Crisis: Queer Visibility in Global Spaces,” in “Mapping Gender” – London Centre for Interdisciplinary Research, December 5-6, 2020.

“Fragile Masculinities in The Night Manager: how the ‘Worst Man in the World’ brings Out the Best,” 50^th Annual NeMLA Convention, Washington, DC, USA, March 21–24, 2019.

“The Aesthetic Freak: Dandyism as Sociocultural Anti-Doxa,” Annual American Comparative Literature Association (ACLA) Meeting, Washington, DC, USA, March 7-10, 2019.

“’Pour la France! Pour ma famille!’: Haunting War Legacies in Rouaud’s Champs d’honneur,” in “Armistice and Aftermath” – World War One & the Copper Country Symposium, Michigan Technological University, Houghton, MI, USA, October 28–29, 2018

“Man in (his) Space: Articulation and Visibility in Crisis,” Institute for American Universities – “Culture at our Borders”, Barcelona, Spain, July 5–6, 2018

“L’écriture affective proustienne comme ancre locatif,” Centre Culturel International de Cerisy Colloque 201

French

Level I A French Language & Culture

Level I B French Language & Culture

Transitional Level I French Language & Culture

Level II A French Language & Culture

Level II B French Language & Culture

Level II C French Composition & Conversation

Level III Topics in French and Francophone Literature and Culture: Feminism and Patriarchy across genres

Topics in World Cinema: Asking Big Questions in French and Francophone Film

Independent Study: “Otherness in French and Francophone Culture”

Comparative Literatures

Studies in the Novel– “Interpersonal Relationships in the Franco–German Novel”

Communicating Across Cultures

 

Diversity Studies

Introduction to Diversity Studies

Gender and Culture – “Transforming Masculinities”

Topics in Diversity Studies – “Engineering the Gaze”

 

Other

Critical Perspectives on Globalization

Topics in World Cinema: Asking Difficult Questions in European Film

Level I B German Language & Culture